THE ULTIMATE DANCE COMPETITION IN SINGAPORE

I CAN DANCE!

TO BE STREAMED ON:

Experience the Thrill
of the Dance Floor

Gateway theatre (Singapore )

11 - 16 March 2024

Registration Closing on 31st January 2024

  • 00Days
  • 00Hours
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About Us

DISCOVER THE WORLD OF DANCE

At “I CAN DANCE” our innovative vision was conceived to revolutionize dance competitions and take them to new heights. We have embarked on a mission to elevate the dance scene by offering a truly distinctive experience. With Mediacorp as our official media partner our competition is streamed on mewatch, enabling us to reach a vast and diverse audience, both local and international.

We are dedicated to promoting and celebrating the art of dance and recognising the incredible talent within our community, and providing a platform for both aspiring amateur and professional dancers to showcase their skills. Through our unique approach, we aim to bring dance to the forefront, inspire a broader audience and foster a deeper appreciation for this beautiful art form.

As we collaborate with a panel of internationally renowned judges and masterclass coaches, we are committed to nurturing the growth and development of dancers, enhancing their craft, and boosting their confidence on stage. “I CAN DANCE” is not just a competition: it’s a journey towards artistic excellence and personal empowerment.

Join us for this extraordinary dance adventure, where creativity knows no boundaries and the world becomes our stage.

DANCE CATEGORIES

  • ACROBATICS
  • BALLET
  • CONTEMPORARY
  • DEMI CHARACTER
  • HIP HOP
  • JAZZ
  • K-POP
  • LYRICAL
  • MUSICAL THEATRE
  • NATIONAL DANCE
  • SOCIAL DANCE
  • SONG & DANCE
  • TAP
WHY US

Why Choose I Can Dance Competition?

We offer a unique dance competition experience that sets us apart from the rest:

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PROFESSIONAL

WORLD-CLASS JUDGES

Our esteemed panel of judges consists of renowned dance professionals who bring their expertise and passion to the competition, ensuring a fair and exciting experience for all participants.

LIVE BROADCASTING ON POPULAR PLATFORM

Our competition is broadcasted live on a popular platform in Singapore, giving dancers the opportunity to perform in front of a wider audience and gain exposure in the dance industry.

PARTNERSHIP WITH LEADING TV STATION

In collaboration with a leading TV station, MediaCorp, our competition provides a platform for dancers to be recognized and celebrated on a national scale, opening doors to new opportunities and connections.

Our Judges

MS. TATIANA SOLOMIANKO
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BRIAN
DRAKE
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VADIM SIROTIN
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MS. SHANNON ATKINS
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PAVEL
KUROV
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Unleash Your Dance Journey

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FAQS

Got Questions?

COMPETITION RULES
MUSIC RULES
Yes, you can use your own music if you are not able to find a suitable track from the I Can Dance Music link on our website. However please note that during streaming on Mediacorp Mewatch, the producers may substitute your music with a suitable music track that has cleared copyright regulations.
No, you will not be penalised. You will be judged during the live competition with your own music and performance.
Yes, the audience can purchase tickets to watch the competition.
The audition is an actual live in person competition on stage. For Auditions, all genres would also include masterclasses except for Acrobatics, National Dance and Social Dance.
Yes, you would need to make a payment of $150 if you are shortlisted for the semi-finals. This would include another live competition on stage in the 2nd round of the competition.
Yes, you would need to make a payment of $150 if you are shortlisted for the Finals. This would include another live competition on stage.
Yes, you would be presented with a certificate of participation for all genres.

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Your brand will shine on every stage, from our energetic live events to our thriving online community.

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CONTACT

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Ms. Tatiana Solomyanko

A former soloist of the Mariinsky Theatre and currently a senior teacher at the Vaganova Ballet Academy, was born in the city of Leningrad in 1975. Her illustrious journey in the world of ballet began when she graduated with honors in 1993 from the Academy of the Russian Ballet named after the esteemed A. Vaganova, under the guidance of the Professor I.B. Zubkovskaya.

In that very same year, Tatyana embarked on her professional career as she joined the troupe of the Mariinsky Theater. Her exceptional talent and dedication propelled her to the position of a soloist in 1994, where she graced the stage with her performances.

In 2010, Tatiana further enriched her knowledge and expertise by graduating from the pedagogical faculty of the Vaganova Ballet Academy, specializing in “Ballet Pedagogy and Teacher Choreographer.” Since September 2006, she has been imparting her wisdom and nurturing the next generation of dancers as a teacher of classical dance at one of Saint Petersburg’s prestigious ballet academies.

Roles:
Giselle (Myrtle); La Bayadère (Gamzatti, Grand pas classique), version of Vakhtang Chabukiani; Swan Lake (Odette-Odile, Big Swan); Don Quixote (Street Dancer, Queen of the Dryads, Variation (Act IV)); The Firebird (Firebird); The Fountain of Bakhchisarai (Zarema); Waltz (soloist); Prodigal Son (Siren); The Nutcracker (Snow Queen) staged by Mikhail Shemyakin, choreography by Kirill Simonov; Cinderella (Stepmother), choreography by Alexei Ratmansky; The Magic Nut (Seductress); Ondine, ou La naiade (Queen of the Sea), choreography by Pierre Lacotte.

Brian Drake

Brian Drake, originally from Los Angeles, CA, discovered his passion for dance at the tender age of 2. His journey into the world of dance began at the revered Millennium Dance Complex in Los Angeles, where he trained under the mentorship of several acclaimed choreographers. Brian’s dedication and continuous learning paved the way for his breakthrough into the choreography scene, marked by his role in choreographing and dancing on two national tours in Japan for Capitol Records’ recording artist “Aksent,” who achieved a Top 5 single in Japan.

His career flourished further with a series of independent choreography and performance opportunities. Brian’s innovative choreographic concepts were showcased in various projects, including Nickelodeon films such as “The School Girls – It’s a Schoolgirls Christmas” and “The Wonder Girls,” as well as on Abbey Lee’s Abbey Studio rescue TV show aired on Lifetime Network. He contributed his creativity and expertise to collaborations with esteemed names such as Nickelodeon, Interscope Records, Joffrey West Ballet/Singapore Sissonne Dance Studio, and several independent artists, including R&B sensation Joyce Wrice, Mack Keane, and many others.

Brian’s versatility extends beyond dance into the realm of acting. He can be seen showcasing his acting talent in short films like “Catching Spirits,” directed by Vanessa Beletic, which received the number 1 award at the Hollyshorts Film Fest and garnered nominations in several other short film festivals.

Vadim Sirotin

Vadim Sirotin was born on June 29, 1957, in the city of Leningrad. His journey in the world of ballet began in 1967 when he entered the prestigious Leningrad Choreographic School, which is now known as the Academy of Russian Ballet named after A.Y. Vaganova.

With dedication and talent, Vadim successfully completed his training at the Academy in 1975, earning him a position at the renowned Kirov Theater, now known as the Mariinsky Theater, located in his hometown of Leningrad (now St. Petersburg).

Throughout his career, he has brought to life various character roles through his exceptional artistry. Notable performances include the Spanish, Hungarian, and Mazurka dances in Swan Lake, Panaderos and Hungarian variation in Raymonda, as well as the Gypsy dance, Fandango, and Espada in Don Quixote. He has also portrayed Hans in Giselle, showcased his skills in the Hindu dance and Rajah roles in La Bayadère, and many other remarkable characters.

In 1999, Vadim furthered his passion for ballet by graduating from the pedagogical faculty of the Academy of Russian Ballet. Since 2000, he has been a dedicated teacher at the Department of Performance and Pedagogy of the Academy, where he currently holds the position of Associate Professor in the Department of Methodology of Teaching Character Dance.

His expertise extends beyond Russia’s borders as he has been invited to teach masterclasses on character dance in various countries since 2000. His knowledge and talent have been shared with eager students in Japan, Finland, Italy, and South Korea.

Furthermore, Vadim has showcased his choreographic prowess by creating captivating performances in Japan and South Korea. Among his notable works: The Nutcracker (choreography by Vainonen), Don Quixote (choreography by Gorsky), Le Corsaire (choreography by Petipa), Schéhérazade (choreography by Fokin), and La Bayadère (choreography by Petipa).

From 1999 to 2023, Vadim mesmerized audiences with his portrayal of Drosselmeyer in the Academy of Russian Ballet’s production of the Nutcracker.
In 2021, Vadim had the honor of collaborating with the English National Ballet in the United Kingdom, at the invitation of Tamara Rojo. Together, they worked on the ballet Raymonda, with choreography by Tamara Rojo after Petipa. He composed all the character dances for this remarkable production, which premiered in London in January 2021.

Continuing his international endeavors, Vadim ventured to Finland in 2022 to work with the Finnish National Opera on another rendition of Raymonda, once again choreographed by Tamara Rojo. This production premiered in Helsinki in February 2022, captivating audiences with its beauty and grace.

His dedication and talent were further recognized in October 2023 when he emerged as the winner of the Sakharova Open Russian Competition of Pedagogical Excellence, held in Perm, Russia. This prestigious accolade is a testament to his outstanding contributions to the world of ballet education.

In November 2023, Vadim had the privilege of sharing his expertise as he taught a masterclass in character dance at the Rudolf Nureyev International Ballet Competition in Ufa, Russia. His guidance and knowledge enriched the experience for aspiring dancers participating in this renowned event.

Vadim Sirotin’s career and artistic achievements have left an indelible mark on the world of ballet. His passion, talent, and dedication continue to inspire both dancers and audiences alike, ensuring his legacy as a true icon of the art form.

Ms. Shannon Atkins

Shannon Atkins moved to New York City 10 years ago from Australia and since then her talent and passion for dance has seen her travel throughout the US, UK, Europe, Asia, Canada, Mexico and Australia regularly judging and setting award winning choreography and company repertoire. She is a regular faculty member at both Broadway Dance Center and Steps on Broadway in New York City.

She has taught on famous conventions all over the world including “Move It” and “Can You Dance” in the UK and “Australian Dance Festival”. She also tours the US with the “Wild Dance Convention” and “Are You Ready”. Shannon had taught at some of the most prestigious dance studios in the world including The Joffrey Ballet School in NYC, Base Studios and Pineapple Studios in London.

She also teaches at The Institute of American Musical Theatre and was a resident choreographer for Manhanttanville College. Prior to her worldwide career Shannon had a successful dance school and was a faculty member at the Queensland Conservatorium musical theatre instructing and choreographing musicals. Shannon has performed in musicals including 42nd street and Oklahoma along with choreographing broadway style shows in Australia including High School Musical 2 and Fiddler on the Roof. She has appeared on the lifetime tv show hit “Dance Moms” and choreographed the opening for New York Fashion week Spring 2023. Shannon is most excited to be on faculty this year at the World Dance Movement in Italy.

Mr. Pavel Kurov

I graduated from St. Petersburg State University of Culture and Arts, where I later became a modern dance instructor at the Department of Folk Art. I also completed my education at St. Petersburg State Conservatory, majoring in choreography. Additionally, I received training in the USA under a grant to support talented youth at the American Dance Festival in North Carolina in 2010.

I lived and worked in the USA from 2014 to 2019, primarily at the Brighton Ballet Theater in New York. I was a former dancer of the “Cannon Dance Company” in St. Petersburg, and have won several competitions for young choreographers. I also worked as a choreographer for the performance “Daphnis and Chloe” at the Leonid Yakobson Theater of Choreographic Miniatures.

Currently, I teach jazz dance techniques and the basics of modern dance for bachelor’s and masters at the Vaganova Academy of Russian Ballet, where I am part of the performing faculty and the department of choreographer’s art. I am also in charge of a professional retraining course for specialists in the program “teacher-choreographer of modern dance” at the St. Petersburg State University of Cinema and Television.

Competition Rules & Regulations

I CAN DANCE COMPETITION ELIGIBILITY AND AGE REQUIREMENTS

“I CAN DANCE COMPETITION” is open to dancers from all countries, ages 4 years old onwards.

The competition is divided into Amateur and Professional.

Solos: Based on your age as of 1st January of the year of the competition.

Ensemble: Based on the age of the oldest member of the group will determine the group ‘s age category.

DANCE GENRES

  • Acrobatics
  • Ballet
  • Contemporary
  • Demi Character
  • Hip Hop
  • Jazz
  • K-Pop
  • Lyrical
  • Musical Theatre
  • National Dance
  • Social Dance
  • Song & Dance
  • Tap

COMPETITION CATEGORIES

AMATEUR AND PROFESSIONAL
  • Solos
  • Duos
  • Trios
  • Ensemble
  • Troupes

AMATEUR COMPETITION AGE CATEGORIES

Open to dancers who pursue dance as a passion and not as their primary source of income. This is perfect for those who want to showcase their talent, receive constructive feedback, and share the joy of dance.

  • Under 6 years
  • Under 8 years
  • Under 10 years
  • Under 12 years
  • Under 14 years
  • Open Age (15 years and above)

PROFESSIONAL COMPETITION AGE CATEGORY

Tailored for dancers who earn a significant portion of their income through dance. A platform for seasoned professionals to demonstrate their artistry and compete at a high level.

  • 18 years and above

COMPETITION FORMAT FOR AMATEUR AND PROFESSIONAL

AUDITIONS/MASTERCLASS

1st  Payment for Entry Fee includes auditions on stage and Masterclasses. (Please note Acrobatics, National Dance, Social Dance do not include masterclasses)

SEMI-FINALS
2nd Payment for Entry Fee includes performance on stage.
FINALS

3rd Payment for Entry Fee includes performance on stage.

The 1st round of auditions will be held on stage in a competition format and every participant would need to attend masterclasses for the judge to assess participants’ foundation and technique ability. (Approximately top 80 percent of the participants for audition will proceed to the semi-finals)

The semi-finals will be held on stage in a competition format. (Approximately top 50 percent of the participants for semi-finals will proceed to the finals)

* Please note that we do not have masterclasses for National Dance, Social Dance and Acrobatic.

COMPETITION PROCEDURE FOR AMATEUR AND PROFESSIONALS

  1. Competitor must choose the music from our approved list Except for ballet variations and prepare his/her own-recorded music files for the competition.
  2. Competitors will receive the Dropbox link to Upload your music prior to the Competition.
  3. The music for the competition must be recorded separately with the title as WAV or MP3 file. So, each file should contain only music.
  4. The participant is responsible for the sound quality of his/her own music file. I CAN DANCE is NOT responsible for the quality of music.
  5. Each title of music file should contain the name of the participant, the title of the music.
  6. A competitor should bring, in case, additional music file or for his/her during competition.

BALLET SOLOS/ENSEMBLE/TROUPES FOR AMATEUR

  • Under 6 years
    Soft Ballet shoes only for this division – Pointe Shoes are not Permitted.
  • Under 8 years
    Soft Ballet shoes only for this division – Pointe Shoes are not Permitted.
  • Under 10 years
    Soft Ballet shoes only for this division – Pointe Shoes are not Permitted.
  • Under 12 years
    Soft Ballet shoes only for this division – Pointe Shoes are not Permitted.
  • Under 14 years
    You can have the option to wear Soft Ballet shoes or Pointe Shoes in this Division for all Female Participants.
  • Open Age 15 years and above
    Pointe Shoes required for competition

TIME LIMITS FOR EACH GENRE CATEGORY FOR AMATEUR AND PROFESSIONALS

Note: Time limits stated are the maximum allowed

  • SOLOS
    • Acrobatics: 2mins 30secs
    • Ballet: 2mins 30secs
    • Contemporary: 3mins
    • Demi Character: 3mins
    • Hip Hop: 3mins.
    • Jazz: 3mins
    • K-Pop: 3mins
    • Lyrical: 3mins
    • Musical Theatre: 3mins
    • National Dance: 3mins 30secs
    • Social Dance: 3mins 30secs
    • Song & Dance: 3mins 30secs
    • Tap: 3mins
  • DUOS: 3mins
  • TRIOS: 3mins
  • ENSEMBLE: 5mins
  • TROUPES: 5mins

A competitor who surpasses the required time limit will receive a scoring penalty OR disqualification from the competition, depending upon the decision of the “I CAN DANCE”, judging panel.

COMPETITION JUDGING AND AWARDS FOR AMATEUR AND PROFESSIONAL

Fair and Unbiased Judging:
To maintain the integrity and fairness of the competition, we have taken meticulous steps to ensure that Amateur and Professional participants are judged separately. This distinction guarantees that each dancer is evaluated on equal footing, considering their respective backgrounds and goals.

The “I CAN DANCE” judging panel will judge all the Candidates in Semi Final and Final rounds. Decisions of the jury will be final and without appeal.

COMPETITION AWARDS FOR AMATEUR AND PROFESSIONAL

  • Gold Award
  • Silver Award
  • Bronze Award
  • Encouragement Award

COMPETITION AWARD FOR OVERALL WINNER FOR AMATEUR AND PROFESSIONAL

SOLOS: Overall Winner Award

  • There will be one Solo Overall Winner Award in the amateur category
  • There will be one Solo Overall Winner Award in the professional category

GROUPS: Overall Winner Award

  • There will be one Group Overall Winner Award in the amateur category
  • There will be one Group Overall Winner Award in the professional category

THE MARKING SCHEME FOR AMATEUR AND PROFESSIONAL

  • Score 90 or above: Gold Award
  • Score 79-89: Silver Award
  • Score 70- 78: Bronze Award
  • Score 69 or below: Encouragement Award

MUSIC AND CHOREOGRAPHY COPYRIGHTS

Music Selection and Copyright Compliance:
We will be constantly uploading new music options as we receive approvals from different entities, offering you an ever-expanding selection of tracks to enhance your performances.

EXCEPTIONS WILL BE MADE FOR COMPETITORS TO USE THEIR OWN CHOICE OF MUSIC THAT IS NOT ON OUR PRE APPROVED MUSIC LIST. THEY WILL BE JUDGED BASED ON THEIR CHOICE OF MUSIC DURING THE LIVE AUDITIONS AND LIVE SEMI FINALS N FINALS. WOULD LIKE TO HIGHLIGHT THAT DURING STREAMING OF I CAN DANCE ON MEDIACORP MEWATCH PARTICIPANTS ORIGINAL MUSIC WILL BE SUBSTITUTED WITH OUR LIST OF PRE APPROVED MUSIC

Competitors must furnish their own musical material with theatrical acoustic standards.

Competitor must choose the music from our approved list Except for ballet variations.

Music of every dance piece (entry) should be submitted in mp3 format recorded individually by Dropbox one month before the start of competition; otherwise the contestant(s) Will be disqualified, Music of dance submitted on the competition day Will not be accepted. The Organizer will use the music submitted during the period mentioned above only.

Competitors must deal with royalty issues for their music and choreography. “I CAN DANCE” will not be responsible for any royalty disputes over music or choreography. Competitors must compensate for the damages to “I CAN DANCE” caused by royalty issues, if there are any.

All music must be age appropriate and free of any apparent profanity or vulgar language. Disqualification may occur if it is deemed the music is of this nature.

ATTIRE OR COSTUME COPYRIGHT COMPLIANCE

We would like to emphasize the importance of attire and costume copyright compliance.

Dancers should not wear attire or costumes that display brand names, copyrighted characters (e.g. Disney, Marvel, etc.) or any other intellectual property for which we do not have explicit permission.

Why Copyright Compliance Matters:
Wearing attire or costumes that feature copyrighted brand names or characters can pose significant legal issues, including copyright infringement. To protect the rights of intellectual property owners and to ensure the uninterrupted streaming of our event on MEWATCH we must enforce strict copyright compliance.

There is an EXCEPTION if the Brand Name is a sponsor of “I CAN DANCE”.

Guidelines for Attire and Costumes:
Original Creations: We encourage dancers to wear attire and costumes that are original creations. If in doubt about the legality of your costume, we advise consulting with the “I CAN DANCE” production team.

Generic or Non-Copyrighted: Opt for attire or costumes that do not infringe upon copyrighted material. Generic or non-copyrighted designs are always a safe choice.

If you have any questions, concerns, or require assistance in ensuring your attire, costumes and music meet copyright compliance standards, please contact our support team.

We are here to help and guide you throughout the process.

MEDIA AND RECORDINGS

“I CAN DANCE” owns exclusive rights to the competition and related activities, including press interviews, recordings of contestants of their daily routine example rehearsals, school, home all audio and video recordings during the competition, master classes, rehearsals, backstage, lobby, live broadcasting, reporting, photographs, production and distribution of presswork and audio-visual products created during the competition, opening ceremony and galas. Participants and their parents and/or legal guardians give their express permission for “I CAN DANCE” to make any photo/video recordings at any time. By participating in “I CAN DANCE” , participants and their parents or legal guardians give “I CAN DANCE” their express permission to use any such photo/video recordings including those containing their name for promotional purposes (including any uses in print, video, online, or in social media).

Without the written approval of “I CAN DANCE”, none of the following shall be conducted by any person.

“I CAN DANCE”, and any third party authorized by “I CAN DANCE”, are entitled to arrange for competitors to attend activities like photo sessions, interviews, broadcasting, audio and video recordings.

Competitors release to “I CAN DANCE”, and any third party authorized by “I CAN DANCE”, the following rights during the competition and activities described in (2) as above:

  1. Live broadcasting and public transmitting
  2. Audio and video recording
  3. Reproduction and distribution of audio-visual products
  4. Transmitting through internet
  5. “I CAN DANCE”, warrants that no competitors’ images will be distorted or misused.

Competitors and their parents/guardian’s consent to “I CAN DANCE”, and any third party authorized by “I CAN DANCE”, in using their name, portrait, photos, voices and resumes in the following conditions and on the following products:

  1. Introduction, presentation and promotion of the competition and related activities.
  2. During production, recording, publishing, promotion and distribution of presswork and audiovisual products of the competition and related activities.

All the above rights mentioned in (3) and (4), which competitors and their parents/guardians release to “I CAN DANCE”, free of any charge, are permanent and cannot be changed or limited by location and time.

In the case that competitors use music, choreography, and stage design copyrighted by any third, or provide photos and resumes to “I CAN DANCE”, which belong to any third party, competitors must obtain a thorough and complete written authorization from the royalty owner, and provide it to “I CAN DANCE”, Competitors warrant that such authorization will not only grant them the right to use these works during their competition, but also ensure that rights granted to “I CAN DANCE”, or any third party authorized by “I CAN DANCE”, in (3) and (4) are not in violations of rights against the royalty owner. Otherwise, competitors must compensate “I CAN DANCE”, for any damage caused by compromising their warrants.

During the competition, competitors must not accept any interview about the competition by any news agency, organization or individual not authorized by “I CAN DANCE”, or release to any third party any information about the competition not publicly announced by “I CAN DANCE”, “I CAN DANCE”, reserves the right to disqualify competitors who violate this rule.

INSURANCE AND SECURITY

“I CAN DANCE”, does not take responsibility for any previous injuries, chronic health conditions or stolen properties. Competitors must purchase their own insurances for accidents, disease and personal property.

No one is allowed to take photos or make video recordings during the live stream unless authorized by “I CAN DANCE”,

CONSEQUENCES OF NON-COMPLIANCE

Dancers who fail to comply with these guidelines by wearing non-compliant attire or costumes will be regrettably removed from the streaming broadcast on MEWATCH. This action is taken to prevent any potential legal disputes.

RESOLUTION

“I CAN DANCE”, and jury have rights to make modifications to competition rules.

Decisions of the jury will be final and without appeal.

“I CAN DANCE”, reserves the right to change the schedule of competition in case of emergency. Announcements of new schedule will be made through the official Facebook or website.

All competitors must agree and follow all contents of this regulation when they sign up for “I CAN DANCE “Competition.

Resolution to any arguments should be based on this regulation, “I CAN DANCE”, holds the right of final interpretation of this regulation.

To the best of our ability, we will endeavour to feature all participants on mewatch.

REFUNDS

There are no refunds for Entry fees.
Email us enquiry@icandanceproduction.com for more information.

MUSIC

Dear Dance Performers,

We would like to inform all participants that the music for your dance routines MUST BE SELECTED FROM THE PROVIDED LINKS DUE TO COPYRIGHT COMPLIANCE AS FOLLOWS:


The team will be continuously expanding our music selection list to offer you a broader range of options for your performances. Our goal is to provide you with the best possible music choices to enhance your routines.

As we receive approvals from the various entities, we will be adding new tracks to the music selection list. These additions will include a variety of genres and styles to cater to different dance routines.

To keep you informed of these additions, we will send out notifications and updates via email and on our social media accounts.

Questions and Support
If you have any questions or encounter any difficulties with the music selection process, please do not hesitate to contact our support team at enquiry@icandanceproduction.com.
We are here to assist you throughout the entire process.

Important Deadline
Please make sure to finalize your music selection by 31 January 2024.